Birmingham Rep until 1st February and then touring
***** “Digs deep and then flies high” five stars
A sweeping saga of a novel, and then a television mini-series and now a welcome transfer to the stage. The story arc is grand, and the narrative is multi-layered and somewhat episodic and stretches over close to three hours, the celebrated best-selling novel Birdsong by Sebastian Faulks is complex and full of relevant messages. The dramatic transfer digs deep into the book and then flies high across the stage, the result is a real theatrical and thoughtful treat.
And despite some editorial choices The Original Theatre Company’s production captures the heart of the book and the sparkling adaptation by Rachel Wagstaff. Stephen Wraysford carves one storyline, the young factory inspector in France in Act One, evolves into a WW1 officer in Acts 2 and 3. A charming and unaffected performance as Wraysford by stage newcomer James Esler, a natural talent and one to watch. Charlie Russell is a clever and hugely watchable Isabelle, cornered in a cruel marriage and easily attracted by the comforting arms of Wraysford.
The juxtaposition of the warmth and comfort of Act 1 is delicately balanced and put in place in readiness for the dark and horror that is to follow.
The simple but effective set from Richard Kent, guides us effortlessly to the trenches of France. The tunnel digging sappers are cheerfully led by Jack Firebrace beautifully observed for all his dark humour, camaraderie, and loneliness by Max Bowden. The letters back and forward from home and well-crafted as is his friendship and care for Shaw and Tipper another couple of understated yet wholly believable portrayals by Tama Phethean and Raif Clarke.
There is delightful mix throughout of impending doom and gallows humour, lifted on several occasions by music, song, and some clever use of the lights.
It remains a story of spirit, love, friendship, and huge loss. And a tale of relevance charmingly re-told.
Birmingham Rep until the 1st February and then on national tour.
David Robinson
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